Showing posts with label Film reviews. Show all posts
Showing posts with label Film reviews. Show all posts

Thursday, 29 January 2015

Film Review: Sita sings the blues


India / USA

'Sita sings the blues' is an animated tale of Ramayana set to the 1920's jazz vocals of Annette Hanshaw. Nina Paley, the write and directer, along side the story of Ramayana, we are told slightly of Nina and her relationship troubles and her experience in India with her other half, the almost off subject moments of Nina and Dave seem unrelated, but the small 4 minute pieces show how Nina went from one side of her life to the other in making 'Sita sings the blues'. She has three different styles through the film, one of her- a scribble style, the story of Ramayana which is more of an over pasting on images style of already existing images and a loose structure to the characters and their movement, the final style is of when Sita sings, you know the scene is happening once the style changes, its an easier way of keeping track of what's happening at which point.

The story of Ramayana is a well told Indian tale of gods, love, purity and royalty. Sita sings the blues tells this story in a variety of ways that work well together, as well as the songs that play though out the film, there are also scenes of Sita and Raman playing through the story as well as three character voices that talk about the people in the Ramayana story and discuss what should have happened, the flaws in the story and trying to remember all the names and who's mother is who's son to who's wife,

Nina wanted to tell her story as well as the Ramayana tale, she produced the styles to show these different parts and does it well. The intermission in the movie was a tribute to Bollywood, it stuck with the feeling of a bollywood movie and this is what Nina wanted, though the scenes of her were not bollywood style, they still worked. The switching between scenes is easy to follow but if you don't enjoy the blues scenes I wouldn't recommend it, you don't look forward to them and there are a lot of them, but give the film a chance for its well told story and humorous side to the three story tellers with in the film.



Thursday, 15 January 2015

World Animation Film Review: Mary and Max

'Australia'

Mary and Max written and directed by Adam Elliot, known for Harvie Krumpet and the Brother, Cousin, Uncle shorts. Grown up on a shrimp farm in Southern Australia, discovering his artistic abilities at an early age spent five years studying photography, pottery and painting as well as others, Elliot's first piece of animation was made in 1996, Uncle. Elliot has a distinctive "chunky wunky" style, with its crooked lines and grungy aesthetic which he used in Mary and Max, he commented "‘…there were no straight lines – every prop had to look like it had been dropped once, every prop had to look like it had been bought at an op shop and then everything had to be grunged up and aged…". Mary and Max stars the voices of Toni Collete who voiced Mary and Philip Seymour Hoffman who played the loveable character Max as well as  Barry Humphries who narrated the animation.
Over a period of 20 years and two countries, Mary and Max was a delightful and well written piece. Set in New York and Australia the two very different and unlikely pen pals who found a friendship through a find in the library of his address by Mary, an eight-year-old with no friends who wanted to reach out and find one somewhere, as did Max, a forty-four-year-old, so the two became friends quite quickly. The story takes you through their best and worst times of each others lives, you see Mary grow up into her late thirties, tall and mature, unlike Max who just grows wider eating plenty of chocolate hotdogs.
The animation was slow paced but nothing in the story was not relevant, every piece was needed to create this whimsical tale. The simple colour design is easy on the eyes and recognisable when you shift from grey to brown, and the colours are described quite humorously. The whole film is a delight to watch from start to finish, but it does feel like it goes on for a while. I would recommend the elder generation to watch this.

Wednesday, 6 November 2013

Film Review: Le Belle et la Bete

La Belle et la BĂȘte: Written in 1946 by Jean Cocteau. This French Black and White movie is an enjoyment to watch. Being the first in the creations of “The Beauty and the Beast” it’s clear symbolism of romance and that beauty is only skin deep shows throughout the film “ Jean Cocteau'sBeauty and the Beast (1946) bluntly celebrates a love that privileges interior beauty over external repulsiveness. Embodied by the titular Beast, physical ugliness here is only skin-and-mottled-fur deep.” 




[fig 1, the front cover of La Belle at la Bete


In the beginning of the film we see Beauty waiting on her sisters while her father awaits shipment of goods to save their home. This idea of two evil sisters is connected to the story of Cinderella by Walt Disney (1950) 

The idea of the sisters feeling higher than Belle, (and in Cinderella). The father ventures out to obtain the goods from his ships to find they haven’t returned. It is late at night but he decides to travel home anyway, the night is foggy and dangerous so the father finds safety within the castle, the beasts castle. He picks a rose for Beauty which upsets the beast and he demands that he be killed. The father begs for forgiveness and the Beast demands a replacement for his death, his daughter. Beauty takes the place but is treated like a princess by the Beast, being asked every day to wed him till the point when the curse is lifted and she accepts. The story line is pretty magical and very love orientated.


[fig 2, Belle is asked to wed the beast]


This story influenced Walt Disney’s recreation; 'Beauty & the Beast'(1991). Many points in the theatrical version you see influencing the fairytale film by Disney, such as the mirror, the rose and the ornaments being alive. “In this film, Cocteau uses the mirror to allow the characters to see things happening in other places. In his other works such as Orpheus, Blood of the Poet, Les Parents Terrible, and Les Enfants Terribles he uses a mirror as a mode of transporting from the real to the surrealistic worlds. Cocteau used the mirror for introspective exploration".



Images:
[1] http://www.leninimports.com/jean_cocteau_la_belle_et_la_bete_gallery.html

[2] http://en.wikipedia.org/wiki/Beauty_and_the_Beast_%281946_film%29

[3] http://lisathatcher.wordpress.com/2013/03/04/la-belle-et-la-bete-jean-cocteau-re-imagines-fairytales-film-review/

Wednesday, 23 October 2013

Film review:Metropolis

Metropolis, made in 1927, directed by Fritz Lang, was an art form in its self, it's dramatic symbolism of society and 'new age' sci-fi "The biggest-budgeted movie ever produced at Germany's UFA, Fritz Lang's gargantuan Metropolis consumed resources that would have yielded upwards of 20 conventional features, more than half the studio's entire annual production budget." (Rotten Tomatoes) 

{Fig 1}

The storyline is about the rich living luxury while the poor work to make the wealthy live comfortably, "It is the future, and humans are divided into two groups: the thinkers, who make plans (but don't know how anything works), and the workers, who achieve goals (but don't have the vision). Completely separate, neither group is complete, but together they make a whole." (IMDB) Being controlled by Maria, working like robots, slaves, to Metropolis.

{Fig 2}

The results of such a high budgeted film was a phenomenon, "The result was astonishing for its time. Without all of the digital tricks of today, “Metropolis” fills the imagination. Today the effects look like effects, but that's their appeal."(Rogerebert) 


{Fig 3}



Bibliography

(1) http://www.rottentomatoes.com/m/1013775-metropolis/?nopopup=true

(2) http://www.imdb.com/title/tt0017136/plotsummary

(3) http://www.rogerebert.com/reviews/great-movie-metropolis-1927

Images

{1} http://upload.wikimedia.org/wikipedia/en/0/06/Metropolisposter.jpg
{2} http://cdn.blu-raydefinition.com/wordpress/wp-content/uploads/2010/11/BDDefinition-MetropolisUK-15-1080.jpg
{3} http://kennethmarkhoover.files.wordpress.com/2011/09/metropolis6-maria-human.jpg

Film Review: The cabinet of Dr Caligari

The Cabinet of Dr Caligari, made in 1920 and directed by Robert Wiere, was a sensation in its time "One of the most influential films of the silent era" {1} 2003. Rotten Tomatoes. [online] Available at <http://www.rottentomatoes.com/m/1003361-cabinet_of_dr_caligari/> [Accessed on 21/October/2013]



The film was quite long and slow in comparison to the actual story line, this is due to its long scene holds on expressional faces and suspense building "There's a period of adjustment when watching it - unfortunately necessary for a modern audience. The titles seem to slow. The camera seems to hold on scenes too long" {2} Gafke. 2004. Internet Movie Data Base. [online] Available at <http://www.imdb.com/title/tt0010323/reviews> [Accessed on 21/October/2013]



Being a silent movie, using dramatic scenes and a small array of text now and then, you really have to put your full attention into the film to understand its story line of murders and growing madness. "The story is a classic sampling of expressionism paranoia about a hypnotist who uses a somnambulist to do his murders, full of the gloom and fear that prevailed in Germany as it emerged from WWI" {3} DP. Timeout. [online] Available at <http://www.timeout.com/london/film/the-cabinet-of-dr-caligari> [Accessed on 22/October 2013]


Bibliography

{1} http://www.rottentomatoes.com/m/1003361-cabinet_of_dr_caligari
{2} http://www.imdb.com/title/tt0010323/reviews
{3} http://www.timeout.com/london/film/the-cabinet-of-dr-caligari

Images

(1) http://arizona.newszap.com/csp/mediapool/public/dt.main.ce.Home.cls?name=bPostPage&bPostPageId=40905
(2) http://zooetrope365.wordpress.com/2012/11/22/the-cabinet-of-dr-caligari-robert-weine-1920/
(3) http://fineartamerica.com/featured/the-cabinet-of-drcaligari-granger.html

Wednesday, 16 October 2013